As a lifelong fan of Jean "Moebius" Giraud, the brief for director Emily Dean's "The Very Pulse of the Machine" was a joy to receive. The stylized approach of the episode offered a unique and welcome challenge, and getting to work in a more vibrant and comic inspired palette was refreshing. I was tasked with creating dynamic designs that stood out visually from the vibrant surroundings but still felt grounded and functional, communicating the important story beats along the way. I’m really pleased with the final outcome, and grateful to Cantina, Blur and the entire production team for having me along to contribute to the Love, Death + Robots legacy.

As a lifelong fan of Jean "Moebius" Giraud, the brief for director Emily Dean's "The Very Pulse of the Machine" was a joy to receive. The stylized approach of the episode offered a unique and welcome challenge, and getting to work in a more vibrant and comic inspired palette was refreshing. I was tasked with creating dynamic designs that stood out visually from the vibrant surroundings but still felt grounded and functional, communicating the important story beats along the way. I’m really pleased with the final outcome, and grateful to Cantina, Blur and the entire production team for having me along to contribute to the Love, Death + Robots legacy.